It was 8:00 p.m. on Thursday, November 8 that I realized I had worked through my company’s first full year in business—November 4, 2018. It’s been that kind of year.
Do you have a book that you need to write or finish writing before the end of the year? (Remember that 2018 New Year's Resolution?) November may be the month to push and get it done because November is National Novel Writing Month or #nanowrimo AND National Nonfiction Writing Month, AKA #NaNonFiWriMo or #WNFIM.
Finding the right literary agent or publisher who publishes what you write and who shares a similar set of beliefs can be a challenge. It's not that you need to agree on everything, but you do want to feel connected, like-minded, and equally yoked on the things that matter most as you fulfill the assignment God has called you to.
When I was an acquisitions editor, I would see creative and weird names authors would use to identify themselves online. They didn’t make themselves easy to find, and their online branding didn’t make a good case for why I should consider publishing them.
One thing that surprises new authors when working with an editor is how much work they still may have to do after an edit. There are several reasons this happens
I launched into uncharted waters in 2017, propelled by an exponential influx of work I did not foresee. It was so much that I was forced to make a choice--keep my day job or follow the demand. I chose to follow the demand...
One mistake I see authors consistently make is trying to make their book relate to everyone. You cannot write for everyone. Choose a target and hit it on the bulls'-eye. Let the residual or secondary audience present itself organically.
After fourteen years as an in-house book publishing editor, I have officially broken free from the corporate matrix. That’s right: you are looking at a free agent.
Each book is like its own business unit. The book proposal is like a business plan. Publishers are your investors. Readers are your customers and end users. How do you think an investor would look at a business if it hadn't thought about its competition and the market it is seeking to enter?
If want to publish an industry-competitive book without the industry restrictions, here are the independent publishing professionals you’ll need on your team to pull it off.
Having worked in traditional publishing for fourteen years and serving as editor, writer, and employer of freelancers that perform similar services, I have calculated the following ranges of time for how long it may take to ghostwrite or edit your book.
Ghostwriting is definitely all about the author and the way they want to present a topic. An aspiring ghostwriter and author asked me about this process. Here's what I told them about how I try to keep the author's message front and center.
Sometimes we wait and wait to be accepted or approved by someone. But sometimes we need to do our homework, approve ourselves, and get it done.
One of the things I noticed in my years as an acquisitions editor is that sometimes book proposals don't capture the personality and passion of the author. They are dry and sterile, and they don't really say much. Oftentimes, in-person meetings end up in book publishing deals easier than if only the book proposal is submitted.
"How can I get my manuscript accepted by a traditional publisher and see my book in bookstores around the world?" This frequently asked question has inspired best-selling editor and writer Jevon Bolden to write and publish her new book, Get Published: Seven Secrets to Getting Your Manuscript Accepted.
Today’s post is written by a sister, not by blood but by spirit. We share the same family name, and we are still investigating if we are related. The truth will be revealed soon enough. We have been circling around in the same web community for some time. She writes. I write. She publishes. I publish. I thought it was past time for us to join forces and bring some hope and inspiration to writers out there.
It's not always easy to translate a public persona into a compelling concept. This is a common challenge for many authors, especially nonfiction authors. Being able to identify the difference between real needs and felt needs can mean the difference between a good book and a great book.
Recently, I had a great exchange on Facebook with author George Pearson. An author of two books and currently working on a third book, his books are written for the Christian market. However, the criteria George and I discussed for finding the right editor for his work is applicable for authors of various genres and topics.